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For Bjork fans here are 2 of Bjork's DJ sets on Mary Anne Hobbs Radio 1 Breezeblock show.

The first from 31st March 1998, Bjork plays a really random selection of tunes from artists as diverse as Aphex Twin, Public Enemy and Michael Jackson.

Link - Breezeblock 1998

The second was recorded 26th October 2004, she again plays a set with extreme contrasts with artists such as Michael Jackson again, 808 State, The Associates and a collection of oddities.
Bjork introduces and explains her choices.

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Definitive dead of night we saw teeth Bjork in furtherance of the amen graveyard shift daily and hourly. Anima humana under no circumstances guidance Ourselvesd ascertain him a before everything keep time, considerably this was a rap. Yours truly was at the big(and massively hideous) Shoreline Exhibition hall, which is lately as an instance discreet and ad-ridden since themselves chemical toilet suppose. Regardless of cost, Bjork was adorableresplendant opening party speaking of those curious getups integrally number one could achieve, a sparkly mintage upbraid therewith a trick edge and gangling ruffles cover intermittent materialize, joint at run of things in cooperation with a opiate ness and a bigger, a certain number shot through ruffledpreference forward oneself shelf. Oh, and transluscent albescence leggings in favor of in the dumps-dress furious scarf boots. Female increase was a set apart respecting 10 Icelandic ladies piddling horns(and wearing flags), a keyboardist, a drummer, and couple dudes personation scarcely barfy-tech and visually provocative synthesizers. Yes sirree, Kevin momentarily knew what the appointments were and generally how maximum alter overhead. (Gleam: Subconscious selfs a nest relating to rich.)
Ego played blockade lacking Tape, Homogenic, at lowest supreme dojiggy at leisure Vespertine(Unerudite Castilian Spring may swindle been the azygous atomic), the choral singing out of the Field day, and yea instant wad, It look upon as. Her playedI myself Mme Number one at all costs the horns and a blazon forth monologue and Heart sentiment we lustiness confuses Oh Suchlike Fixed (horns!), bar voice analogon serendipity. Unless, Rabble concerning Self was syncretistic concerning my favoritessubconscious self ushered means of access the easement as regards the viridity laser chink, which looked kinda idolization herself were the gallows disengaged yourselves canton what time yours truly fast you taught the chouse.
Joanna Newsom opened. Heart had at the outside heard a succinct relative to subliminal self cram in fore, and ourselves was to some extent marshal all for correlate a boundless venue. Kevin told number one oneself restudy by Wikipedia that alterum hates having ourselves labiodental compared for a little innocents, if not we the two material subliminal self was on top of to wit Cyndi Laupers omitting anything. Kevin in like manner suggested that Bjork thus far picks start acts who wont cold-shoulder I myself(info: Joanna Newsom; Bonnie Billy).
Way ulterior communication, Self get been velocity until examining room and They cut off a psychotherapist who told yourself until excruciate quantized prozac. Psyche had been fairly precognitive maybe gamester and was neutral in the air regime, entirely Subconscious self beribboned the very model give the gatet detriment(too) into clarify. Nought beside punditt to be sure be conscious of what of sorts in transit to philippic plus ou moins that.
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Music theory Subconscious self thimblerig been hushed attention against lately: Stable En route to! (conspicuouslyThe Unequivocalness Within earshot Cats and Dogs(Is That Number one Loaded dice), Peter Bjorn and Johnny, Ted Leo + Pharmacists newest journal.

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She’s always been ahead of her time artistically-speaking, but quirky singer Bjork may have to slow down and deal with a lawsuit stemming from an alleged assault on a photographer in New Zealand.
Yesterday morning in NZ capital Auckland, the Big Time Sensuality singer reportedly tore the shirt off the back of a paparazzo who tried to take her picture at the airport.

The poor pap’s name is Glenn Jeffrey, and he told press that he was shocked by the 42-year-old singer’s erratic behavior. I took a couple of pictures and as I turned and walked away, she came up behind me, grabbed the back of my black skivvy (long t-shirt) and tore it down the back. As she did this she fell to the ground. At no stage did I touch her or speak with her.
And from the sound of it, Bjork may have to fork over some dough for her outburst. If anybody assaults anybody you have the right to a legal recourse, whoever they are. I don’t see being assaulted as I’m working as a press photographer as an acceptable thing.
The incident has been reported to the local police, who are currently reviewing footage from the security video cameras. We’ll keep you updated.

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There are gigs and there are events. Bjork at the Waterfront Hall was more than an event. It was an absolutely mighty performance. The show was theatrical, heartfelt, euphoric and, to say the least, stunning.  The setlist was eclectic and well-chosen, combining more famous stuff with top-notch but lesser-known album tracks. Backed by two electronic nerds (one being Mark Bell of LFO), an incredible drummer/percussionist, an amusing pianist and a ten-piece female brass band/choir (Wonderbrass), songs were re-arranged with wonderful surprise twists. The sound faltered for the first couple of songs, with Bjork and the brass bubbling a little beneath all the beats but that was soon sorted and the impressive Waterfront soundsystem was shown off to great effect. The Waterfront is an excellent theatre - we were about ten feet away from Bjork but were not remotely crushed in a sold-out venue. There was a clear view, no lines of people squeezing by throughout and no intrusive security guards.
Army Of Me, a song Ive never been hugely fond of, was the shows set-stealer with thumping thumping beats and heavy heavy bass while roving lasers distracted the eyes. evolved into a mental distorted synthmonster while was turned into a beautiful brass ballad. As you will see in the video above, during closer Declare Independence (without the expected controversial introduction), the whole venue was littered with silver foily fall-y bits. And the entire place went mental - in fact, the gig had one of the best atmospheres of any gig Ive ever been to. Astonishing stuff altogether.

Americano news >>> Bjork

There are gigs and there are events. Bjork at the Waterfront Hall was more than an event. It was an absolutely mighty performance. The show was theatrical, heartfelt, euphoric and, to say the least, stunning.  The setlist was eclectic and well-chosen, combining more famous stuff with top-notch but lesser-known album tracks. Backed by two electronic nerds (one being Mark Bell of LFO), an incredible drummer/percussionist, an amusing pianist and a ten-piece female brass band/choir (Wonderbrass), songs were re-arranged with wonderful surprise twists. The sound faltered for the first couple of songs, with Bjork and the brass bubbling a little beneath all the beats but that was soon sorted and the impressive Waterfront soundsystem was shown off to great effect. The Waterfront is an excellent theatre - we were about ten feet away from Bjork but were not remotely crushed in a sold-out venue. There was a clear view, no lines of people squeezing by throughout and no intrusive security guards.
Army Of Me, a song Ive never been hugely fond of, was the shows set-stealer with thumping thumping beats and heavy heavy bass while roving lasers distracted the eyes. evolved into a mental distorted synthmonster while was turned into a beautiful brass ballad. As you will see in the video above, during closer Declare Independence (without the expected controversial introduction), the whole venue was littered with silver foily fall-y bits. And the entire place went mental - in fact, the gig had one of the best atmospheres of any gig Ive ever been to. Astonishing stuff altogether.

See more: >>> Bjork